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The Portrait of a Life Unfed. by ~MUSICxxJUNKIE:iconMUSICxxJUNKIE:



My spine cuts through my skin like jagged glass; bending over, I run my hands down this torn body of mine, silently counting the number of slices in my vertebrae my weariness will cause me. And despite all that I have said in the past (things that you’ve never believed), I will admit that this disease is but another fetish: to feel my skeleton beneath thin, flawless skin, to create a map of my own body—eyes sewn shut—using just my fingertips to guide me through a maze of bone. This skin is but a sheath of translucence, skin which personifies beauty  in one everclear, immaculate package spun in restriction and sorrow.

I pocket my fingertips beneath the curved bone of my ribcage, pressing into my body with alien fingers that stretch towards infinity, and I wonder if I still possess the strength to tear back this cage and release my heart. To open my torso on an autopsy table, my back arched, neck exposed, eyes dilated in a post-coital manner. My heart pulsing beneath the hot, white lights of the medical room—emotionless, clinical—as if showcased in some high fashion editorial. Articles blown wide open with pages upon pages of mutilated girls with gutted stomachs, glowing with some orgasmic sheen and their bones dripping with acid. Then me on the operating table, flatline, like Jesus on the cross, my limbs stretched open. Like society, you will rip my heart from this vulnerable, open body----this seemingly perfect body—my tendrils hanging uselessly down my thigh, but the beating will continue, on and on and on, like it always has (it always will).

In the heat of the moment, I let go, my skin red as blood flows back into my ribs. My cage shall not be unlocked tonight, nor shall it ever—for isn’t that the purpose of a ribcage? To hold the heart within, a sacred gem, behind these strong yet brittle bars of bone, staring through walls of flesh and muscle. A shield to protect the heart from damage. So where did I go wrong? How did you obtain the key to unlock my cage?

Isn’t it appropriate for me to hang from the ceiling like an archangel, like Michael shining through my dilated pores, in the position of Freedom and with my cage opened, my heart finally free? Or are my wings not strong enough to support this body, frayed and tattered and stained with charcoal, to support this pale and beautiful corpse? My corpse was all that was beautiful to you, it seemed, as I hang here with my spine cutting through my skin and blood coiling down my thighs. I am beautiful in your eyes, only when my pesudodeath is magnified behind a lens of mock perfection. I am nothing to you.

You turned me into a painting hung from your high heavens, a macabre churning of fantasy and death, as if Salvador Dali himself were to commit artistic suicide and stretched his skin onto a canvas. Death, after all, is an art form, romantic in all it’s medieval glory. Poetry spinning madly into the nine layers of Hell. With a paintbrush in hand, you’d dip your brush into my blood and bring Dante’s nightmare to life, my howls of agony masked by the genius of your work. Critics claimed you were a prodigy—however, they were ignorant of your lunacy. I’ve always known that mental illness and creative genius went hand-in-hand (and secretly, I’ve always wished I had that power), but in your hands it was destruction.

Creation. Destruction. Perfection. Addiction.

In your arms, my death shall be the portrait of a life unfed.
©2008-2009 ~MUSICxxJUNKIE
:iconmusicxxjunkie:

Author's Comments

:frail:


I'm not really sure what to make of this piece.

I wrote it while I was in a really detached state of mind one day last week in the early morning, some place between consciousness and subconsciousness where you're not truly aware of what you're thinking, however it's still there.

I'm not really sure what it is, or what it's really about.

Maybe you can provide that insight.

Comments


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:iconxxxgenderideals:
there's a definite contrast between what is real and what is not.

does the narrator truly have a compound fracture of their spine? it seems so, but perhaps not.

everything else seems even more detached, although perhaps that makes it more literal than anything else.

it's lovely, anyway.
:iconmusicxxjunkie:
:)

Thank you.

--
{ and the rivers of blood pushed back in my veins. }
:iconthynamelessone:
very descriptive. :+fav:

almost warming in some very odd way

--
Prove that i exist. Go ahead, waste your life.

~Writers-Guild-DA
:iconmusicxxjunkie:
Warming? That's a new one. :) Thank you!

--
{ and the rivers of blood pushed back in my veins. }
:iconfaintstarscry:
i'm half awake right now and i don't even know what to say as a comment on this. i don't think i really want to say much about this because it might end up turning against me and making myself sound like a fool. yeah... :D

:+fav:
:iconshehtaz:
When I first started reading this piece I thought it was about an anorexig girl on the verge of suicide, ranting about her ex-boyfriend and how cruelly he ditched her for...something.
But then the allusions to art and literature threw me off that line of thought. So right now, my best interpretation is this - B I T T E R N E S S. to me, this piece just oozes bitterness.
Maybe I'm way off, but there you go.
:iconmusicxxjunkie:
Whatever you interpret it as. :) thanks.

--
{ and the rivers of blood pushed back in my veins. }
:iconelle-sappelle:
i agree with shehtaz in that for the first couple of paragraphs i thought this was about anorexia/some body image disease, but then things got kind of jumbled when it gets into the whole rib cage bit.

ribs are quite possibly my favorite body part... they're so artistic. so maybe this is about the pain of loving an artist, a visual person who has trouble seeking below the surface because they are so engrossed in beauty. and maybe this is about the difference between feeling beautiful and being beautiful to everyone else. and maybe this is about BEING an artist, and trying to peer inside yourself but having trouble getting past what you see on the outside...

i'm a little dissapointed by the last line. it doesn't feel quite powerful enough to fit this piece. or maybe the point is that it is powerless... hmm...

--
with all its sham, drudgery and broken dreams
it is still a beautiful world
be cheerful. strive to be happy.

:peace::heart:
blessed be.
:iconmusicxxjunkie:
I at first started writing it with this idea of perfection in mind - and yes, I was referring to anorexia in the first couple of paragraphs (with the word 'disease' and such). I guess I was thinking that a disease such as that isn't as vain as it's portrayed - it goes skin deep. It goes through your skin, your flesh, your gut, your ribcage right to your heart.

I agree though... I love bones, images of bones, anything. Ribcages, especially. Clavicles, pelvic bones, cheekbones, jawlines, I love it all.

I like your interpretation a lot, about the artist bit. Because being an artist is so universal, and it's such a type of being that is... we think deeply, everything is on such an intimate level. Everything an artist does has to originate somewhere inside of us. Especially with visual arts, although the inspiration is inside, it's hard to transfer that from the inside out. Things get warped and you're not always happy with what you get when it crosses over that border. And such is the same with being human. We try to match the outsides with the insides but sometimes it's impossible. The way we portray ourselves visually by the clothes we wear and by the way our bodies are.

I'm glad this made you think, though. :) Thanks for your analysis.

--
{ and the rivers of blood pushed back in my veins. }

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December 23, 2008
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